In praise of imperfect photographs

I’ve always found the most interesting photographers to be those who go out of their way to deliberately manipulate the inherent physical properties of the medium.  Yes, I know, it’s an unfashionable modernist view that’s been sidelined by the art world’s promotion of post-modern conceptualists (a.k.a ‘artists working with photography’). However, I do think John Szarkowski was correct in expounding an “essentialist” view of photography (see). Not that I agree with what he saw as its essential properties. Continue reading

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Photographic style: the good, the bad and the ‘necessary ugly’ (Part 2)

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Part 2

Bad style

This is the second instalment of a three part essay on photographic style. Part 1, addressed what I see as the three determinants of a photographer’s personal style. This second part looks at the dangers of imitation. Part 3 will look at what I call ‘necessary ugly’ style (by which I mean styles that gain effectiveness from eschewing artfulness). Continue reading